Thanks to a captivating performance from Jeff Bridges, Crazy Heart transcends its overly familiar origins and finds new meaning in an old story.
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It might be more impressive on a technical level than as a piece of storytelling, but Avatar reaffirms James Cameron's singular gift for imaginative, absorbing filmmaking.
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Guy Ritchie's directorial style might not be quite the best fit for an update on the legendary detective, but Sherlock Holmes benefits from the elementary appeal of a strong performance by Robert Downey, Jr.
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For better and for worse, Edge of Darkness offers vintage Mel Gibson, working within the familiar framework of a bloody revenge thriller.
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It's certainly uneven, and many viewers will find that its reach exceeds its grasp, but The Book of Eli finds the Hughes brothers injecting some fresh stylish fun into the kind of post-apocalyptic wasteland filmgoers have seen more than enough of lately.
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Thought not without its charms -- chief among them John Travolta's endearingly over-the-top performance -- From Paris with Love is too muddled and disjointed to satisfy.
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Built from many of the same ingredients as other Nicholas Sparks tearjerkers, Dear John suffers from its cliched framework, as well as Lasse Hallstrom's curiously detached directing.
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Despite a solid cast and intermittent thrills, Legion suffers from a curiously languid pace, confused plot, and an excess of dialogue.
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A pair of young, attractive leads can't overcome When in Rome's reliance on unfunny gags and threadbare rom-com clich�s.
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Dwayne Johnson brings the full force of his charm (and his appropriately pale chompers) to the title role, but flat direction and a committee-written script render The Tooth Fairy unacceptably dull.
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