Stylish, fast-paced, and loaded with gripping set pieces, the fourth Mission: Impossible is big-budget popcorn entertainment that really works.
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Enchanting, sweepingly romantic, and featuring plenty of wonderful musical numbers, Beauty and the Beast is one of Disney's most elegant animated offerings.
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Haywire is a fast and spare thriller, with cleanly staged set pieces that immerse you in the action.
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Sherlock Holmes: A Game of Shadows is a good yarn thanks to its well-matched leading men but overall stumbles duplicating the well-oiled thrills of the original.
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Meryl Streep's performance as The Iron Lady is reliably perfect, but it's mired in bland, self-important storytelling.
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It's more entertaining than your average January action thriller, but that isn't enough to excuse Contraband's lack of originality and unnecessarily convoluted plot.
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Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it.
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Despite a worthy fact-based story and obvious good intentions, Red Tails suffers from one-dimensional characters, corny dialogue, and heaps of clichés.
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Joyful Noise's musical numbers are solidly entertaining, and it benefits from Queen Latifah and Dolly Parton's sizable chemistry; unfortunately, they aren't enough to make up for the rest of the film.
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There's more vapid action and less story in Underworld Awakening than previous installments, making the whole affair feel inconsequential.
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